The Blue Rider was thus a spin-off ( Secession) from the N.K.V.M. In 1911, Palmié allowed Kandinsky and Marc to leave the association and organize the first Blue Rider exhibition. Even before the first exhibition, Kandinsky introduced the so-called "four square meter clause" into the statutes of the N.K.V.M due to a difference of opinion with the painter Charles Johann Palmié, this clause would give Kandinsky the lever to leave the N.K.V.M in 1911. The N.K.V.M was co-founded in 1909, and Kandinsky, as its first chairman, organized the exhibitions of 19. The forerunner of The Blue Rider was the Neue Künstlervereinigung München (N.K.V.M New Artists' Association Munich), instigated by Marianne von Werefkin, Alexej von Jawlensky, Adolf Erbslöh and the German entrepreneur, art collector, aviation pioneer and musician Oscar Wittenstein. History Wassily Kandinsky, The Blue Rider, 1903 The work of the affiliated artists is assigned to German Expressionism. The artists associated with Der Blaue Reiter were important pioneers of modern art of the 20th century they formed a loose network of relationships, but not an art group in the narrower sense like Die Brücke (The Bridge) in Dresden. The Blue Rider disbanded at the start of World War I in 1914. Traveling exhibitions in German and other European cities followed. The editorial team organized two exhibitions in Munich in 19 to demonstrate their art-theoretical ideas based on the works of art exhibited. 1912ĭer Blaue Reiter ( The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. For the Zachary Cale album, see Blue Rider (album).
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